academic, Cultural Studies, lucha libre, masculinity, Mexican wrestling, Professional Wrestling

The Big Comeback (Post)

I can’t stay away.

There, I said it.

No apologies, no profound reasons: there was no magical moment wherein I realized that I wanted to continue writing about pro wrestling.

Well, maybe. There was one particular interaction with a fellow luchador which reminded me that my work is not done.

In the wake of Richard Spencer’s well-deserved punching, I came across a shirt that read “Punch More Nazis.” I had one printed for myself to wear during and upcoming show, and attempted to rally the rest of my colleagues at Lucha Libre Volcánica to follow suit. Sónico, the other half of Los Sexi Mexis, responded by stating that “we’re luchadors; not activists.”

Sónico’s argument is perhaps not inaccurate. However it presupposes that professional wrestling is completely devoid of political significance. Assuming that wrestling was somehow completely isolated from the realm of politics, I may have conceded. However, knowing that professional wrestling is thoroughly steeped in ideology, I continued with my original plan to wear the shirt. Our exchange did remind me that I still have work to complete in this realm.

Accordingly, I am compelled to again write about pro wrestling. Within the next week I intend share a proposed outline and itinerary for completing this project. It is admittedly an ambitious one, and incredibly multifaceted. As is customary for my approach, I will address professional wrestling in a critical academic fashion. However, in order to make the topic accessible as well as to offer a thorough exploration, I will utilize a multimedia approach that will include images, video, and audio, in addition to writing. The aforementioned approach ensures that each post will be unique, but also that completing each one will be no small task. Consequently, I may not be able to provide weekly updates, save for the occasional unrelated musings.

As previously stated, this will only be a pure “wrestling blog” in that it will be demonstrably using examples from wrestling for argumentative purposes. That is to say I will be writing about wrestling in an academic sense, but I will not be “chronicling” the history of wrestling, writing about my own wrestling adventures, nor providing fan insights like a damned mark.

It has been a while, but I’m stoked to be back. 🙌🏽

academic, arena mexico, art, Cultural Studies, culture, exercise, lucha, lucha libre, Lucha Libre Volcánica, Lucha Volcánica, masculinity, Mexican wrestling, mexico, performance, Performance Art, Professional Wrestling, school, strength, training, travel, Washington, wrestling school

The Final Post Edition, or Goodbye For Now

Friends,

It is with some sadness, albeit zero trepidation, that this will serve as my final blog post. My reasons are few: mostly I have just become too busy to dedicate the time required to write at the level that I demand of myself. Although I have not talked about it here, I recently began picking up stunt work for commercials and film, which—in addition to regular lucha gigs, full time employment, and my 7-day training regimen—not only occupies more of my time, but also has forced me to broaden my focus from just lucha libre. Given this personal shift, I’ve found it increasingly difficult to dedicate the same rigor to thinking and writing about lucha libre that I was once capable of maintaining.

I started training as a luchador in 2011 during my senior year of college. During that same year I applied for the Watson Fellowship, which would have funded an entire year of studying lucha libre abroad in South America, Spain, and Japan. Unfortunately I was selected as an alternate awardee, Although disheartened, I was undeterred, and redirected my existential flightiness: I moved to Mexico City to immerse myself in lucha libre. The exodus was relatively brief: I quickly ran out of money and my lack of Spanish made employment opportunities scarce. Despite emptying my savings account, my experiences were invaluable, and the relationships I forged with locals and other luchadors during my tenure continue to this day.

Another byproduct of the trip was this blog, which I had originally intended to use as a diary to chronicle and share my experiences from the road. But now that I was no longer pursuing lofty goals within lucha libre’s mecca, what would be the scope of this blog? After returning to the States, the blog unintentionally became a smattering of cultural theory approaches to lucha libre—to mixed reactions from many readers who just wanted a “wrestling blog”—as well as observations about interpersonal relationships within the sport. Although the theoretical lens seems a bit far afield from professional wrestling, I am by no means the first person to give pro wrestling an academic treatment.

Despite the breadth of topics, my quarterly workouts (which were initially just filler posts) proved to be my most popular posts. I feel it’s safe to say that post-Mexico, I had no coherent vision for the blog and thus it never found a voice.

To that end it should be noted that I am not abandoning the blog on account of it not gaining monumental popularity: I knew quite well that the blog of a non-famous luchador would garner only a specialized, rather small audience (nevermind the fact that the blog was simultaneously academic in tone). Rather, this blog represents a particular chapter in my life that was rife with uncertainty, fear, and passion: uncertainty in the wake of moving to Mexico City to pursue the impossible; fear of said uncertainty; the unbridled passion for a sport. I was in an intense, naive, love affair with lucha libre, for which I flung myself into a personal exodus, into Mexico City, into the birthplace of lucha libre.

While I still love lucha libre, our relationship is now an established one; the maddening, lusty, honeymoon phrase has passed. And although my visions of performing in CMLL during my time in Mexico City did not come to be, I have not abandoned my passion for lucha libre nor the pursuit of excellence, and opportunities within the sport. In fact, I will achieve one of many lucha goals this August when I perform in Arena Naucalpan alongside three of my colleagues from Lucha Volcánica.

I am leaving behind this blog because of it’s significance from a specific period within my relationship with lucha libre, and by extension, a period within my life. I am instead shifting my focus to my future with lucha libre.

Put differently, I am moving on.

No, I am not moving on from lucha libre: when I started this blog I was pursuing, thinking, and dreaming about doing lucha libre. Now? Now I am simply too busy with the doing to be dreaming, a luxury that I was dreaming about back when I first started here.

And I like it that way.

With love,

Ave Rex

PS: You can still find me on Facebook, Twitter, and Instagram.

 

 

 

academic, art, Cultural Studies, gender, lucha, lucha libre, masculinity, Mexican wrestling, observations, performance, Performance Art, training

The Burden of the Public Eye: A Performer’s Social Responsibility

Creative performance is my driving inspiration. As a professional luchador, I become a character through my performance: my very persona is created by the nuances and broader actions within the ring. Ave Rex then is the end product of that which I create: it is the individual words I choose and the consistency of my actions which give shape to my identity and breathe life into the performance. [1]

Continue reading “The Burden of the Public Eye: A Performer’s Social Responsibility”

academic, art, Cultural Studies, culture, lucha, lucha libre, observations, performance, Performance Art, Shows, streets

A Brief and Unnecessary Defense of Lucha Libre as Art – Part I

This blog has generally been dedicated to the sharing of various events in my life as a luchador, from shows and publicity events to fiestas. For those of you who have read the “about” section of this blog, you may well be aware that my intent was also to have a sort of cultural studies bend to this blog as well, which—prompted through some recent readings—I now feel prepared to begin undertaking. Continue reading “A Brief and Unnecessary Defense of Lucha Libre as Art – Part I”